The Esoteric Ramayana and the Tesseract

đź§© Blog Entry
Ravi Bajnath
September 30, 2025
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Transcendence and Wonder

Diwali, the festival of lights. Growing up, Diwali was always portrayed as a story of overcoming the darkness of ignorance with the power of light (knowledge). Fairly easy to remember, simple enough to navigate family gatherings to go straight to the buffet of food that we spent two to three days preparing to cook for. Family will lime for some time, mandirs put on plays and fashion shows (I still fit into my red formal kurta top since I was 17), but to sit down and reflect on the meaning of the Ramayana, from where the celebration of Diwali comes from, is increasingly rare to see as this materially-driven world slowly alienates us from our spiritual core.

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Earlier I published a guide for the Tesseract. Here is a link to the other blog post and a link to the explainer page. In this blog post I want to outline how the Tesseract helps to truly grok the meaning of the Ramayana, not as the conventional story of the blue-skinned nearly perfect avatar of Vishnu, but as YOUR spiritual journey and the path towards non-dual awareness. I highly recommend Dr. Robert Svoboda's lecture on YouTube (below) in which he covers the esoteric narrative with more contextual understanding of the story for newcomers. With that background knowledge available, the metaphors carry over into the Tesseract framework. What I'll do is work our way through the five majors acts in the Ramayana and present the esoteric symbolism inside of a multidimensional framework to understand Ram's journey back to Ayodhya.

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The Esoteric Tesseract: A Framework of Consciousness

Before we begin, let's define our symbols:

  • The Tesseract: The ultimate, unified reality—Brahman, the Godhead, the Unmanifest Source. It is the state of non-duality where all possibilities, time, and space exist simultaneously.
  • The 3D Shadow/Projection: Our perceived reality of Maya—the world of duality, separation, time, and cause and effect. It is a single, flattened "face" of the infinite tesseract.
  • The Journey: The soul's (Jiva's) path from identifying with the 3D shadow (ego) to realizing its true nature as the entire tesseract (Atman).

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Act I: The Perfect Cube – Ayodhya in Duality

The story begins in Ayodhya, "The Unassailable City." Esoterically, Ayodhya represents the perfectly ordered, yet dualistic, human consciousness. It is a pristine 3D cube—a symbol of law, duty, and societal harmony (Dharma). King Dasharatha, the "Ten-Charioted King," represents the Jiva ruled by the ten indriyas (five senses and five organs of action). He is a competent ruler of the 3D world but blind to higher dimensions.

The Divine Descent (Involution): Ram, Sita, and Lakshman are born. They are not merely people; they are principles descending from the tesseract into the 3D plane.

  • Ram: The Supreme Self (Paramatma), pure consciousness.
  • Sita: The individual soul (Jivatma), pure Shakti (energy), and the embodiment of Maya as the phenomenal world. She is Ram's conscious energy.
  • Lakshman: The incarnated mind (Buddhi) that is utterly devoted to consciousness (Ram). He is the bridge, the awareness that can perceive beyond the 3D illusion.

In this perfect cube of Ayodhya, consciousness (Ram) is wedded to the soul (Sita). All is in harmony, but it is a harmony dependent on external structure—the throne, the kingdom, the rules. This is the soul's innocent state before the necessary fall into the wilderness of experience.

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Act II: The Projection into the Forest – The Shattering of the Cube

Kaikeyi's demand and Ram's exile represent the necessary shattering of the comfortable 3D identity. The soul (Sita), enticed by the golden deer (the glittering illusion of Maya, the desire for sensory experience), crosses the Lakshman Rekha.

The Lakshman Rekha: This is not a physical line but the boundary of the egoic, rational mind. It is the limit of what the disciplined intellect (Lakshman) can protect. When the individual soul (Sita) identifies with desire and steps beyond the protection of discerning awareness, it becomes vulnerable.

The Abduction: Ravana, the ten-headed king of Lanka, represents the unregulated ego. His ten heads are the ten indriyas, now turned inward, consuming the self. He abducts Sita, symbolizing the soul's captivity by the ego, trapped in the isolated, golden city of Lanka—the pinnacle of material, 3D splendor, but a prison of separation from its source (Ram).

This is the soul's darkest night. Consciousness (Ram) now appears to be separate from the soul (Sita). The perfect cube of Ayodhya is now a memory, and the journey through the chaotic, multidimensional forest begins.

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Act III: Building the Bridge – The Quest Through Higher Dimensions

Ram's grief and his search for Sita represent the spiritual seeker's anguish of separation (Bhakti). He allies with the Vanara Sena, the "monkey army."

The Vanaras: These are not monkeys but symbolise the primordial, restless, and leaping nature of the mind and life force (Prana). Hanuman is their chief—the perfect devotee and the embodiment of pure Prana, infused with Bhakti (devotion). He is the awakened Kundalini energy that can leap across dimensions (the ocean to Lanka) to locate the captive soul.

The Building of Ram Setu: This is the central esoteric act. The bridge from the mainland to Lanka is not built of stone, but of Name (Nama). The stones, which float when inscribed with Ram's name, represent the solidified thoughts and karma of the individual. When these thoughts are imbued with the vibration of the Supreme Consciousness (the Name), they lose their heaviness and become a bridge.

This bridge is the fourth-dimensional connection—the axis that turns the 3D cube into a tesseract. It is the path of Japa, meditation, and devotion that allows consciousness to cross the ocean of illusion (Maya) and reach the fortress of the ego.

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Act IV: The Battle of Lanka – The Collapse of Duality

The battle in Lanka is the internal battle within the multidimensional being.

  • Kumbhakarna: The state of Tamas (inertia, deep sleep) that must be slain.
  • Indrajit: The power of Maya to create illusions (the Nagapasha). He is defeated only when the offerings to the sacrificial fire (his source of power) are disrupted—symbolizing the cessation of egoic rituals and desires.
  • Ravana: The final confrontation. Ravana, with his ten heads, cannot be killed by ordinary means because the ego is a master of regeneration. Ram uses the Brahmastra, the weapon of the Absolute. This signifies the final, direct realization of the Non-Dual (Advaita). The ego is not "fought"; it is seen through, dissolved in the light of pure awareness.

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Act V: The Return to Ayodhya – The Integrated Tesseract

Sita is rescued. The soul is liberated from the ego. But the journey is not over. Ram, Sita, and Lakshman return to Ayodhya.

This is the most profound esoteric truth. They do not return to the old 3D cube. The return is through the air, on the Pushpaka Vimana.

The Pushpaka Vimana: This is the vehicle of the fully realized being, the integrated Tesseract consciousness. It is not a flight through space, but a movement through states of being. The returned Ram is no longer just the king of a 3D kingdom; he is the ruler of the integrated Self, the Tesseract made manifest in the 3D world. This is the state of Ramarajya—not a political state, but a state of consciousness where the inner and outer, the higher and lower, the divine and the human, are in perfect, dharmic harmony. The Kingdom of God is within, and it rules the external world.

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The Diwali Symbolism: The Light of the Tesseract

Diwali celebrates this return.

  • The Darkness of Amavasya: The new moon night represents the soul's state of ignorance, trapped in the 3D shadow, unaware of the luminous tesseract of which it is a part.
  • The Row of Lights: The countless lamps are the infinite facets of the tesseract now illuminated by the return of the King. Each lit lamp is an individual soul (Jiva) realizing its true nature as the Supreme Self (Atman). It is the recognition that the entire cosmos, in all its dimensions, is lit by the one, non-dual consciousness of Ram.

The story of Ram, in this tesseract framework, is the eternal journey of the soul through the labyrinth of time and space (the 3D projection) back to its source, realizing along the way that the source and the journey, the Ram and the seeker, the tesseract and its shadow, were never two, but One.

Jai Shri Ram.

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