Diwali, the festival of lights. Growing up, Diwali was always portrayed as a story of overcoming the darkness of ignorance with the power of light (knowledge). Fairly easy to remember, simple enough to navigate family gatherings to go straight to the buffet of food that we spent two to three days preparing to cook for. Family will lime for some time, mandirs put on plays and fashion shows (I still fit into my red formal kurta top since IÂ was 17), but to sit down and reflect on the meaning of the Ramayana, from where the celebration of Diwali comes from, is increasingly rare to see as this materially-driven world slowly alienates us from our spiritual core.
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Earlier IÂ published a guide for the Tesseract. Here is a link to the other blog post and a link to the explainer page. In this blog post IÂ want to outline how the Tesseract helps to truly grok the meaning of the Ramayana, not as the conventional story of the blue-skinned nearly perfect avatar of Vishnu, but as YOURÂ spiritual journey and the path towards non-dual awareness. IÂ highly recommend Dr. Robert Svoboda's lecture on YouTube (below) in which he covers the esoteric narrative with more contextual understanding of the story for newcomers. With that background knowledge available, the metaphors carry over into the Tesseract framework. What I'll do is work our way through the five majors acts in the Ramayana and present the esoteric symbolism inside of a multidimensional framework to understand Ram's journey back to Ayodhya.
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Before we begin, let's define our symbols:
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The story begins in Ayodhya, "The Unassailable City." Esoterically, Ayodhya represents the perfectly ordered, yet dualistic, human consciousness. It is a pristine 3D cube—a symbol of law, duty, and societal harmony (Dharma). King Dasharatha, the "Ten-Charioted King," represents the Jiva ruled by the ten indriyas (five senses and five organs of action). He is a competent ruler of the 3D world but blind to higher dimensions.
The Divine Descent (Involution): Ram, Sita, and Lakshman are born. They are not merely people; they are principles descending from the tesseract into the 3D plane.
In this perfect cube of Ayodhya, consciousness (Ram) is wedded to the soul (Sita). All is in harmony, but it is a harmony dependent on external structure—the throne, the kingdom, the rules. This is the soul's innocent state before the necessary fall into the wilderness of experience.
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Kaikeyi's demand and Ram's exile represent the necessary shattering of the comfortable 3D identity. The soul (Sita), enticed by the golden deer (the glittering illusion of Maya, the desire for sensory experience), crosses the Lakshman Rekha.
The Lakshman Rekha: This is not a physical line but the boundary of the egoic, rational mind. It is the limit of what the disciplined intellect (Lakshman) can protect. When the individual soul (Sita) identifies with desire and steps beyond the protection of discerning awareness, it becomes vulnerable.
The Abduction: Ravana, the ten-headed king of Lanka, represents the unregulated ego. His ten heads are the ten indriyas, now turned inward, consuming the self. He abducts Sita, symbolizing the soul's captivity by the ego, trapped in the isolated, golden city of Lanka—the pinnacle of material, 3D splendor, but a prison of separation from its source (Ram).
This is the soul's darkest night. Consciousness (Ram) now appears to be separate from the soul (Sita). The perfect cube of Ayodhya is now a memory, and the journey through the chaotic, multidimensional forest begins.
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Ram's grief and his search for Sita represent the spiritual seeker's anguish of separation (Bhakti). He allies with the Vanara Sena, the "monkey army."
The Vanaras: These are not monkeys but symbolise the primordial, restless, and leaping nature of the mind and life force (Prana). Hanuman is their chief—the perfect devotee and the embodiment of pure Prana, infused with Bhakti (devotion). He is the awakened Kundalini energy that can leap across dimensions (the ocean to Lanka) to locate the captive soul.
The Building of Ram Setu: This is the central esoteric act. The bridge from the mainland to Lanka is not built of stone, but of Name (Nama). The stones, which float when inscribed with Ram's name, represent the solidified thoughts and karma of the individual. When these thoughts are imbued with the vibration of the Supreme Consciousness (the Name), they lose their heaviness and become a bridge.
This bridge is the fourth-dimensional connection—the axis that turns the 3D cube into a tesseract. It is the path of Japa, meditation, and devotion that allows consciousness to cross the ocean of illusion (Maya) and reach the fortress of the ego.
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The battle in Lanka is the internal battle within the multidimensional being.
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Sita is rescued. The soul is liberated from the ego. But the journey is not over. Ram, Sita, and Lakshman return to Ayodhya.
This is the most profound esoteric truth. They do not return to the old 3D cube. The return is through the air, on the Pushpaka Vimana.
The Pushpaka Vimana: This is the vehicle of the fully realized being, the integrated Tesseract consciousness. It is not a flight through space, but a movement through states of being. The returned Ram is no longer just the king of a 3D kingdom; he is the ruler of the integrated Self, the Tesseract made manifest in the 3D world. This is the state of Ramarajya—not a political state, but a state of consciousness where the inner and outer, the higher and lower, the divine and the human, are in perfect, dharmic harmony. The Kingdom of God is within, and it rules the external world.
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Diwali celebrates this return.
The story of Ram, in this tesseract framework, is the eternal journey of the soul through the labyrinth of time and space (the 3D projection) back to its source, realizing along the way that the source and the journey, the Ram and the seeker, the tesseract and its shadow, were never two, but One.
Jai Shri Ram.
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